BLESSED VIRGIN MARY 6th SEPTEMBER
A Sermon preached by Fr James Heard on Sunday 6th September at St George's and St John the Baptist
In fact, Mary, in her instinctive motherly desire to comfort her son, doesn’t even embrace him; she appears to adopt a prayerful, reverent attitude as if she has a glimpse of the significance of this apparently everyday event. Perhaps Mary recalled when she brought Jesus to the Temple in Jerusalem, and the old man Simeon tells her that a ‘sword will pierce your own soul too’ (Luke 2.35).
This feast day we have a chance to reflect a little on
the Blessed Virgin Mary. Devotion to her throughout the centuries has always
been a helpful rebalance of a rather male dominated faith. This male dominance
goes right back to the OT. In deliberate contrast with its neighbouring
religions, Yahwism systematically excluded the female from its concept of
deity. Yahweh is one God, a jealous God, and he’s definitely all man. Jeffery
John, dean of St Albans, describes how this was deeply unsatisfying because
time and again, the Israelites would slip away to worship a bit of the feminine
on the side. For example, when the Israelite community were exiled to Babylon,
the prophet Jeremiah had terrible difficulty keeping them away from Belith
Shamay. This goddess’s big attraction was that you worshipped her by eating
raisin cakes and having sex – how could any religious tradition compete with
that! In reaction to this urge to worship foreign female deities, you find a
stronger and stronger assertion that femaleness has no place in worship.
What’s interesting when we come to the NT, however, is
the astonishing things written about Mary. Jeffery John describes how Mary is
portrayed as fulfilling not only the themes and expectations of the Old
Testament, but she also fulfils the Gentile myths and images from pagan
religion - showing that the deepest religious longings of all nations have now
been met, through the birth of a real saviour from a real Mother, Mary. If we
remove Mary from Christian devotion then we rob our faith of the one sphere
where the feminine has traditionally been brought in.
But what sort of feminine is it? Feminist theologians
have been concerned about viewing Mary as a submissive figure, someone to be
imposed upon, of a passive acceptance of whatever is declared God’s will, or of
those with power. These are appropriate concerns. But looking at Mary’s
response in Luke’s Gospel, it’s much more positive. The angel Gabriel tells
Mary that the Holy Spirit will come upon her and that she will give birth to a
holy child, who will be named the ‘Son of God’. Mary responds with a resounding
‘Yes!’ ‘I am the Lord’s servant. Be done to me according to your will. Let it be with me just as you
say’ (Luke 1.38).
However, the life to which she was being called was not
going to be easy. From the very beginning, Mary’s life with Jesus was marked by
a bitter sweetness. Things weren’t
going to be easy, she was going to have to endure much suffering, but she was
made of sturdy stuff.
We get a glimpse of
the relationship of the early Jesus and Mary through John Everett Millais’s
painting, who depicts a non-idealised image of Jesus in the house of his
parents (see notice sheet). It centers on the young Jesus whose hand had been
injured, being cared for by his mother Mary. His wounded hand, blood dripping
on to his foot, foreshadows his ultimate end on the cross, and so Mary’s sorrow
at Jesus’s wound prefigures a much greater future sorrow.
There are plenty of
other symbols in the painting. The carpenter's triangle on the wall, above
Christ's head, symbolises the Holy Trinity. A young St John carefully brings a
bowl of water to clean the wound, identifying him as the Baptist. The image is
extended by the white dove perched on the ladder, symbol of the Holy Spirit,
which descended from Heaven at the baptism of Christ (tate.org.uk).
Following in the
pre-Raphaelite tradition, Millais painted the scene in meticulous detail and
based the setting on a real carpenter's shop in Oxford Street. The sheep in the
background, intended to represent the Christian flock, were drawn from two
sheep's heads obtained from a local butcher. Joseph's head was a portrait of
Millais's own father, but the body was based on a real carpenter, with his
rough hands, sinewy arms and prominent veins. Mary has a wrinkled brow; feet in
the painting are certainly not clean, there’s even dirt under the finger nails.
All wonderfully realistic; realistic but shocking.
The painting
challenged the view of what c.19 art should be and as a result was highly
criticized. Charles Dickens despised it. Why paint in such a manner? The
pre-Raphaelite brotherhood were influenced by the Tractarian, or
Anglo-Catholic, movement within the Church of England, and many Tractarian
priests worked in the slums. So while the painting was highly criticised in its
time for such a realist depiction of the Holy Family – it was considered
blasphemous to depict them as ordinary people – but this was the whole point of
the painting.
Millais was
attempting to depict them as real people, the sort of people that those stuck
in the slums and experiencing the negative side of the Industrial Revolution
could really empathise and connect with.
Such an emphasis in ministry also takes inspiration
from Mary’s response to her calling, the Magnificat, a hymn of praise, rich in
OT imagery and language, and stressing a God who is on the side of the poor. A
God on the side of refugees fleeing violence; which is exactly what the holy
family had to do very soon after Jesus’ birth. The mass movement of refugees
from Syria, Eritrea, Iraq and elsewhere raises huge complex questions. What is
the appropriate response for the EU, our government, for us as a Christian
community? There are difficult decisions to make; we must pray for wisdom for
our leaders as well as those charity organisations who are offering practical
help. As the Archbishop of Canterbury has commented this week: ‘We need a
holistic response to this crisis that meets immediate humanitarian need while
tackling its underlying drivers.’
In conclusion, on this feast day Mary, we celebrate
that from her ‘yes’ comes a
birth which is also a birth-giving, an act of liberation and response that
changes, renews and transforms. God continues to act in the world in and
through the cooperation of those who are faithful. With Mary, God invites us
into relationship with him bringing justice, renewal, hope, love and
transformation.
[1] Babylon, The Great Mother, or
the Mother of Abominations
Revd Dr James Heard
Priest in Charge
United Benefice of Holland Park
St George's Church, Aubrey Walk, London, W8 7JH
Tel: 020 3602 9873
www.stgeorgescampdenhill.com
www.stjohnthebaptisthollandroad.co.uk
Priest in Charge
United Benefice of Holland Park
St George's Church, Aubrey Walk, London, W8 7JH
Tel: 020 3602 9873
www.stgeorgescampdenhill.com
www.stjohnthebaptisthollandroad.co.uk